Embarking on the journey of creating technical drawings as an assistant construction draughtsperson for the Woodcutter’s cottage and Forest scene in the 2018 Royal Opera House production of Hansel and Gretel was a truly enchanting experience. This timeless fairy tale, with its whimsical charm and haunting atmosphere, presented a myriad of challenges and opportunities to translate its magic onto the stage.
The design, ingeniously crafted by Antony McDonald, played with perspective and depth, utilising painted background cloths, flown elements, and robust stage scenery. The woodcutter’s cottage, with its open front and self-supporting ceiling, stood as an integral part of the design, while the forest scene came to life through a series of illustrative trees set at various points on the stage, creating pathways and performance areas. The challenge lay in transporting the audience into the heart of the woods, where Hansel and Gretel’s adventure unfolds, and creating a sense of depth and immersion. This required meticulous attention to detail and a collaborative effort to ensure every element of the set contributed to the enchanting atmosphere of the production.
Reflecting on this project, we are reminded of the power of collaboration and attention to detail in the world of theatre. From the initial sketches to the final performance, every step of the process was infused with creativity and passion, resulting in a production that will be cherished for years to come. It was a privilege to play a part in bringing this timeless tale to life on the stage of the Royal Opera House.
Hansel and Gretel is being revived for the 2024/25 season at the Royal Opera House.
- Director and Designer – Antony McDonald
- Head of Construction – Mark Pursey
- Lead Draughtsperson – Nathan James
His gingerbread house is modelled on the house in Hitchcock’s Psycho
Michael Church, The Independent
